Sound companies are an obvious place to start if you want to work in live sound. From small local companies to the big players who provide sound systems for all the major concert tours. Below I talk to Taylor who works as an audio tech for one of the biggest touring sound companies in the U.S.
Tell me about your experience working for the company.
I’ve been working for the company for almost three years now, and I love it! It’s been perfect for me as an up and coming freelancer to get my feet into the industry and start making a name for myself. It’s provided me so many opportunities to meet new people and work some really awesome shows.
What are your typical duties on tour?
For most tours I’m the stage patch tech, meaning that I handle running XLRs and multipoint cables from monitor world out to the stage. I also handle placing microphones on instruments.
How long did you work for the company before doing a live show? How long before going on...
Theme parks are a great place to build your live sound skills. Christian Rosado who is currently Entertainment Production Planner for a major theme park talks about what working in audio at a theme park involves.
Tell me about your job working as an audio tech for a theme park.
When working at a theme park you have two options, you are either a stage technician or an event technician. Stage techs are only scheduled at stages in which they know tracks or roles and or they can learn other stages. When you get trained at a stage you can let the managers and crew chiefs know that your skill sets are on a specific discipline for instance mine is audio, then they can go ahead and train you in the audio positions at the stage.
As an event tech or what we call a flex tech, you are capable of doing stages and events. At events you can be A2’s or audio assists or you can be the A1 (Audio Engineer), we are always in need of good A2’s but we only have a...