This blog is a continuation of last weeks blog. So if you missed part 1, check it out HERE.
We climb into a small fleet of vehicles to take us on a tour of the town.
Djibouti is unlike anywhere I’ve ever been. It’s incredibly poor, more so than any other third world country I’ve been to. People are living in shanties, on sidewalks, under makeshift roofs made from strung sheets and blankets, anywhere and everywhere. The streets are lined with trash and sewage and herds of goats scattered about feasting on all of it. The handful of modern roads are virtually useless. The few locals with cars drive very badly and hundreds of people crowd the roads and streets since the sidewalks are covered in garbage and the homeless. As we enter downtown Djibouti, kids are banging on the sides of the van trying to direct us to a parking space (so they can collect a locator’s fee), one particular boy seems relentless, he follows our van for fifteen minutes until we...
Throwback Thursdays….I’m digging into the archives and found an old touring journal from 2003 when I was working for Collective Soul. We did a tour of US Military Bases in Europe and the Middle East to support the troops who were fighting “The War on Terror” following the attacks of September 11th.
9:00 -am The band and crew meet in front of a Holiday Inn just outside of Dobbins Air force base to be to escorted onto the base and to our plane. We’re scheduled to fly from Atlanta, GA to Rota, Spain via military aircraft.
Once we arrive on base we learn that our aircraft is stuck in Norfolk for some maintenance so we’ll be delayed until they can get our plane checked out and to Atlanta. We spend about an hour or so milling about in the bowling center, then head over to the hanger for a short tour of an F-18 and Huey chopper. WOW, an aircraft hanger actually used for it’s intended purpose and not as a poor excuse for a...
Hi there, I'm Michelle Sabolchick Pettinato and I am a professional touring concert sound engineer. For nearly 30 years I have been making my living mixing the sound for many major label recording artists’ live concerts.
I first started working in live sound in the late 1980’s, the era of big hair and spandex, but my interest in sound engineering was born out of a passion for music and science which started much earlier. Music had always been a huge part of my life and managed to balance out my total geek side. You see I loved taking things apart and figuring out how they worked. So being an audio engineer let me marry those two sides together. I could let my creativity flow by doing sound and feed my science/technical side by playing with all the cool audio gear.
I also had another passion- travel. So when I first realized I could do all of this while traveling with a band on tour, it seemed like the perfect job for me!...